This is the control room of the Squank Sound Studio shown to the left. In-depth waveform editing is available both on individual tracks or when mastering entire mixes thanks to the MX2424 and Pro Tools hard disk recording mediums. Transfer is even capable between mediums taking full advantage of common file types (SDII) and the digital domain. Full Dynamic Automation and hands on mixing functions come to hand with a D8B digital console by Mackie.

The "Drum Vault", shown left, gained its name from the fact that its entrance is accessed through the maintenance garage and workshop, which in a manner separates it from the rest of the studio. It is a floating room, meaning the floor sits on specially designed isolation blocks and is not connected to the walls. This allows increased isolation from outside noise considering that many more microphones are often used with drums than anything else. It also allows for drums sitting on the floor to ring out more, i.e. kick drum, which is often deadened by solid floors. Large enough to setup two drum kits or a percussion arrangement with drums it can also house those musicians who just like to be near the drums during tracking.

The amp room shown above is an isolation room. With greatly deadened acoustics there is no reflections and high sound absorption. The room can be used while recording amps separately as shown or partitioned with baffles for simultaneous recording. Not shown are the large bass traps opposite of the room to help absorb low frequency build up. The object behind the room is to get direct amp sound and little of the room.